Yael Farber uses the Oresteia trilogy as a metaphor through which to revisit the horrors endured by the black majority at the hands of the white minority. But unlike the original, Farber breaks the cycle of violence, reflecting South Africa’s own transformation in the 1990s.
Interview with Yaël Farber, Creator/Director of 'MoLoRa' : An interview with Yael Farber discussing her new play, 'MoLoRa', a modern adaption of the Greek Oresteia set during the Truth and Reconciliation Commission in post-apartheid South Africa.